The gardens of Villandry are restored to their Renaissance glory

The acquisition of Villandry by Joachim Carvallo marked a return to their roots for the gardens. Already known for their beauty in the Renaissance, different owners successively transformed them, now into a formal garden, now a romantic garden. With a scientist’s meticulousness, Carvallo recreated gardens that were worthy of the restored chateau.

Gardens changed drastically over time

Ever since the construction of the Chateau of Villandry in 1532, outstanding gardens have embellished the building. The passage of time and changing fashions meant they underwent drastic changes in appearance. Archeological findings tell us how, in the Renaissance, there was a decorative kitchen garden at close proximity to the chateau.
In the 18th century, the grounds were enlarged and enriched with a formal garden, then an ornamental lake in the shape of a Louis XV mirror. When Joachim CARVALLO visited Villandry in 1906, he found: « The grounds [are] landscaped in the English style, all undulations and hillocks (…), planted with a good many recently imported exotic species – cedars, pines, thujas, magnolias – set in clumps on the slopes of artificial mounds. The chateau itself [is lost] in a forest of trees and greenery. »

A scientific recreation

The romantic English garden was not to Carvallo’s taste and, between 1908 and 1918, he devoted himself to recreating the Renaissance gardens. Why? Because he felt that the Renaissance chateau, which he had just finished restoring to its former glory, ought to have fitting gardens.
As a man of science, he used a scientific approach to assemble a series of archeological and literary clues. By comparing the remains of walls and pipes against old plans, such as those of the Marquis de Castellane and the Napoleonic land register, Carvallo was able to recreate the decorative kitchen garden, while works like Les Plus Excellents bâtiments de France or the Monasticon Gallicanum gave him an idea of Renaissance landscaping.
To recreate the ornamental salons on their original terraces, he called on the painter Lozano and Spanish artist and landscape architect Javier de Winthuysen to design the salon of the crosses and the salon of love. The salon of music was designed by Joachim himself.
For the ‘classical’ water garden, typical of the 18th century, he used the Marquis of Castellane’s plans, preserved in the Napoleonic land register.
Far from being a mere replica of gardens reproduced in architectural treatises, the gardens of Villandry are a reinvention. From their layout to the choice of vegetables, everything was conceived in terms of a return to the origins of the Renaissance formal garden.

Des jardins en constante évolution

Fidèles à Joachim Carvallo, ses descendants s’emploient à conserver et à faire évoluer le domaine de Villandry avec la rigueur et l’abnégation qui font les jardins remarquables.
Le jardin des Simples est une création des années 1970 ; quant au jardin du Soleil, inspiré d’un dessin de Joachim, il est inauguré en 2008 et fête en beauté le centenaire de la restitution de ces jardins d’exception.
Inscrits dans leur époque, les jardins de Villandry ont pris le tournant du bio en 2009. Désormais, et plus particulièrement dans le Potager, les méthodes de travail s’inspirent de la gestion raisonnée avec pour devise : observer pour prévenir, prévenir pour éviter les traitements chimiques.



Robert & Henri CARVALLO, Le Château de Villandry, Editions Plume (1998)

« Villandry », Connaissance des Arts, Hors série n°164

Henri CARVALLO et Jean-Baptiste LEROUX, Le Château de Villandry

Catherine GRIVE et Jean-Baptiste LEROUX, Fastueux Châteaux de la Loire, Déclics

Villandry, des origines à nos jours

Plans et photographies d’archives inédits à l’appui, l’animation retrace les grandes lignes de l’histoire du château et des jardins de Villandry.